Maljkovic says....
Orson Welles came to Zagreb, where I live, in the early 60s to make
his film of Kafka's The Trial. He came because he couldn't film in
Prague; the political situation there made it impossible. Places like
Czechoslovakia, and even Poland, were completely under Russia's thumb.
But Yugoslavia was different: Tito had split with Stalin in 1948, and
American money had flooded in.
.....I deliberately used an archaic technique to make this shot, so
that it felt linked to Welles's film-making process. I took
photographs of the original film frames, and then went to the same
location and took another picture from the same angle. Then I put the
two negatives together, and produced another photograph. It was a
complex process. No labs for processing film exist any more – the
craft is dead – so I did everything myself....
read more @
http://www.guardian.co.uk/artanddesign/2010/nov/17/david-maljkovic-best-shot